Miles Coolidge


The variety of symbol systems in public space is growing by the day. Information and presentation, image, text and design, the necessary and its formation enter into a symbiosis that, usually realized in an object-oriented form, that has become an integral part of our streetscapes. It is precisely this esthetic constant that this work deals with: pictures of the street curb are copied to produce endless distance, and, just like the orientation symbols they depict, they can be used in any place at any time, and represent the uncontainable cycle of exchange of banal information.

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