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of inhabited spaces, which in turn leads
to the employment of variously broadened research methods.
As a result of this concern the staging of images has
been ever more decisively pushed into the background.
One way in which some photographers have reflected the
debate in their practice - and it is one which in view
of the universal and overwhelming deluge of images has
to be taken seriously - has been to produce photographs
that do not have a subject in the accepted sense. Their
work is characterized by images verging on the monochrome,
by pages of content-free organizing systems which can
be arbitrarily reproduced, by series of technical test
cards for colours or shapes, by sets of abstract lay-out
templates of the kind only used as aids to photographic
composition. All these fly in the face of what seemed
to be the basic and evident distinguishing characteristic
of the photograph- the fact that it is firmly fixed
to a subject and to a specific moment in time connected
with it.
The programme of the Fourth Austrian Triennial on Photography
will pursue the possibilities made available by the
contemporary photographic image
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which allow one to focus on the compressed
image file of a "picture postcard" (showing something
other than a picture postcard subject). The phenomena
- be they global or local, central or peripheral - which
characterize the complex nature of urban space stand
out as central to the debate and to its visual embodiment
in the works of art produced for the Triennial. Is photography,
surrounded as it is by the dazzling displays of illusionary
spaces and the moving pictures - the shallow images
of advertising stills and video clips - capable today
of publicly embarking on the task of creating a general
aesthetic language, an "imagetext", which can replace
the old kind of visual representation by a new structure
of transformation in which form and content are closely
linked?
Since its inception in 1993 the Austrian Triennial has
pursued a variety of topical themes, inviting artists
to create images specifically for the topic. This year
there will be twenty artists from all over the world,
who will be invited to contribute one picture each.
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