The picture of the three protagonists builds on the portraiture of the 19th and early 20th centuries. The woman and the three men, each with a series of attributes from their private and professional lives, emerge from the anonymity of an old people’s home. The personalities develop filtered contours from long conversations, becoming representative of the situation of members of the many communities existing and functioning at the margin´s society: Sightseeing as an inverted motif, looking in from the outside, representing a change in perspective.