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* in New York City, USA; 1965 Bachelor of Arts, Brooklyn College of the City University of New York; 1974 Master of Fine Arts, University of California, San Diego
Einzelausstellungen, Performances, Filme (Auswahl) / One-Person Shows, Projects, Performances, and Screenings (Selection)
1986 |
Los Angeles Center for Photographic Studies and EZTV. Los Angeles)
San Francisco Camerawork
Installation Gallery, San Diego
Electronic Arts Gallery, Minneapolis
Vital Statistics of a Citizen, Simply Obtained, University of California, San Diego
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1987 |
Focus: Martha Rosler. Institute of Contemporary Art, Boston
Global Taste: A Meal in Three Courses. Video installation at Cornell Cinema, Ithaca |
1988 |
Martha Rosler: Four Works, Viewpoints on Video Cable Series organized by the Long Beach Museum of Art, Broadcast throughout California
American Film Institute Video Festival, Los Angeles. "Premiere" screening, Born to Be Sold |
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1989 |
If You Lived Here.... Dia Art Foundation, New York, six-month project of shows and public forums
Housing Is a Human Right, Times Square Spectacolor animated signboard. Public Art Fund Messages to the Public series, New York |
1990 |
Housing Is a Human Right. Project on housing and homelessness in the city of Oxford and Oxfordshire. Public sites in the city and at the Museum of Modern Art, Oxford.
Martha Rosler. Galerie 7.0.7., Frankfurt. Politische Diskurse in der amerikanischen Videokunst
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1991 |
Martha Rosler, in The Machine Wreckers: The Lady Luddites. Third Frauen Film Festival, Femme Totale im Rivier, Dortmund |
1993 |
In the Place of the Public. Jay Gorney Modern Art, New York
Monográfico de Martha Rosler. Institut Valenciè de la Dona
An Empty Space in Ottensen, Contaminated by History, Capital, and Asbestos. In the series Stadfahrt (City Tour), Hamburg
Seattle: Hidden Histories. Public art project in the series In Public
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1994 |
In the Place of the Public. Contemporary Arts Center, Cincinnati
Videotapes of Martha Rosler. Palais des Beaux Arts, Brussels |
1995 |
Center for Contemporary Art - CCA, Glasgow
Martha Rosler. II Bienal de Video. Museo de Arte Contemporáneo, Santiago, Chile |
1996 |
Everyday Objects: Videotapes by Martha Rosler. Art Gallery of Ontario, Toronto |
1997 |
Transitions and Digressions. Jay Gorney Modern Art, New York
Rights of Passage. Galerie Anne de Villepoix, Paris
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1998 |
In the Place of the Public. Frankfurt Airport, sponsored by the airport and Museum für Moderne Kunst
Martha Rosler. INIT: Kunsthalle Berlin |
1999 |
Oops! (Nobody Loves a Hegemon). Galerie Christian Nagel, Köln |
1998-2000 |
Martha Rosler: Positions in the Life World. Ikon Gallery, Birmingham; Institut d' Art Contemporain, Villeurbanne; Generali Foundation, Wien; Museu d' Art Contemporani, Barcelona; The New Museum, New York (sched.) |
Ausstellungsbeteiligungen (Auswahl) / Group Exhibitions (Selection)
1979 |
Whitney Biennial. Whitney Museum of American Art, New York
Southern California Photography Invitational '79. Fischer Gallery, University of Southern California, Los Angeles
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1979-80 |
Videotapes by Women from the Los Angeles Women's Video Centre. Traveling exhibition: Australia and New Zealand |
1980 |
A Decade of Women's Performance Art. Sponsored by the National Women's Caucus for Art. Contemporary Art Center, New Orleans, and traveling
Public Disclosure: Secrets from the Street. San Francisco Museum of Modern Art and City Hall
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1981 |
Erweiterte Fotografie (Extended Photography), Secession, Wien |
1982 |
Documenta 7, Kassel |
1983 |
Whitney Biennial, Whitney Museum of American Art, New York
Festival Andere Avant-Garde, Brucknerhaus, Linz, Austria |
1983-85 |
Video of the Seventies - The Greatest Hits, Institute of Contemporary Art, Boston.
Traveling under the auspices of the New England Foundation for the Arts
Videotapes from the Whitney Biennial. Traveling exhibition under the auspices of the American Federation of Arts. Traveled to 17 North American and Euroepan venues
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1984 |
Women Artists/Filmmakers, Weatherspoon Gallery, University of North Carolina, Greensboro |
1984-85 |
Mediated Narratives, Traveling under auspices of New England Foundation for the Arts |
1984-86 |
New American Video Art: A Historical Survey, 1967-1980, Whitney Museum of American Art, New York, and traveling to 7 North American and European venues |
1985 |
Public Address. Billboard project and gallery exhibition, A-Space, Toronto
Artside Out. Billboard project organized by Film in the Cities. Billboards in downtown Minneapolis and photographic exhibition at the Pillsbury Center |
1986 |
National Video Festival. American Film Institute, Chicago
II Bienal de la Habana. National Museum of Fine Arts, Havana |
1987 |
Surveillance. Los Angeles Contemporary Exhibitions (LACE) Gallery, Los Angeles
Whitney Biennial. Whitney Museum of American Art, New York
Social Engagement: Women's Video in the '80's. Whitney Museum of American Art, New York |
1987-88 |
The Arts for Television. Organized by the Stedelijk Museum, Amsterdam, and the Museum of Contemporary Art, Los Angeles. Traveled to 11 other U.S. and European venues
Terrorising the Code: Recent U.S. Video. Australian Centre for Photography, Sydney; University Gallery, Tasmania; Experimental Art Foundation, Adelaide; Centre of Contemporary Art, Melbourne; Wellington (N.Z.) City Art Gallery; Artspace, Auckland
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1987-89 |
Videotapes from the Whitney Biennial. Exhibition traveling under the auspices of American Federation of Arts to 21 North American and European venues |
1988-89 |
Signs. Traveling photographic exhibition organized by the Art Gallery of Ontario, Toronto |
1988-90 |
Committed to Print. Museum of Modern Art, New York. Traveled to 5 North American venues. |
1988-91 |
Unknown Secrets: Art and the Rosenberg Era. Organized by ICI. Traveled to 11 U.S. venues. |
1989 |
Whitney Biennial. Whitney Museum of American Art, New York |
1989-90 |
Making Their Mark: Women Artists 1970-1985. Cincinnati Art Museum; New Orleans Museum of Art; Denver Art Museum; Pennsylvania Academy of Fine Arts |
1989-91 |
Videotapes from the Whitney Biennial. Exhibition traveling under the auspices of American Federation of Arts |
1989-92 |
A Different War: American Art and the Vietnam Experience. University of Western Washington, Bellingham. Traveled to 14 venues
The Fukui Video Biennale. Venues in Japan
Panorama Video Section, 5th Montrèal International Festival of Films and Videos by Women. Cinèma Parallčle, Montréal |
1990 |
The Decade Show. The New Museum of Contemporary Art, New York
IV Foto Bienal. Vigo, Spain
Video and Myth. Museum of Modern Art, New York
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1991 |
The Family Show. Artists Space, New York
Consumer Tools: Personal Visions. The Museum of Modern Art, New York
Artists of Conscience: 16 Years of Social and Political Commentary. Alternative Museum
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1991-93 |
Reframing the Family. Video Data Bank Touring Exhibition. 4 U.S. venues |
1992 |
Imágenes de Guerra. Centro Cultural/Arte Contemporáneo, Mexico City
Wasteland: Landscape from Now On. Fotografie Biennale Rotterdam III
Gegendarstellung, Ethics in Times of AIDS. Kunstverein, Hamburg
The Body, Künstlerhaus, Stuttgart
Video and Women. Patronato Municipal Cultura de Sebastián, San Sebastián, Spain |
1992-93 |
Video: Two Decades. The Museum of Modern Art, New York |
1992-94 |
Mistaken Identities. UC Santa Barbara. traveled to 5 European and U.S.venues |
1993 |
Firminy Project. Unitè d'Habitation de Le Corbusier, Firminy, France
Decade Show. Organized by the Museum of Modern Art, New York. Hara Museum of Contemporary Art, Tokyo Krieg, Neue Galerie and Forum Stadpark, Graz
Desmontaje: Film, video/Apropiación, reciclaje - Demontage: Film, Video/Appropriation, Recycling.
IVAM, Valencia, Spain. Traveling to 5 European venues
In Transit. The New Museum of Contemporary Art, New York |
1993-95 |
The First Generation: Women and Video, 1970-75. ICI traveling exhibition, 21 venues in North America and Europe |
1994 |
Rudiments d'une musèe possible. Musèe d'Art Moderne et Contemporain, Geneva. Inaugural
TV/Media/Science Gobbledegook. Walker Art Center, Minneapolis |
1994-95 |
From the Collection: Photography, Sculpture, and Painting. Whitney Museum of American Art, New York |
1994-96 |
WarWorks: Women, Photography, and War. Nederlands Foto Instituut, Rotterdam; V & A, London; Angel Row Gallery, Nottingham; The Royal Armouries, Leeds; Canadian Museum of Contemporary Photography, Ottawa
Corpus Loquendi: The Body for Speaking. Dalhousie Art Gallery, Halifax. Traveling to 4 Canadian venues. |
1995 |
Africus Biennale. Johannesburg South Africa
Division of Labor: Women's Work in Contemporary Art, 1970-95. Bronx Museum of the Arts, New York, and Museum of Contemporary Art, Los Angeles
Public Information: Desire, Disaster, Document. San Francisco Museum of Modern Art.
Inaugural Exhibition
Lesezimmer II. Kunstpresse Österreich. Grazer Kunstverein.
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1995-96 |
25 Years of Video Art. Curated by Barbara London. Museum of Modern Art, New York, and traveling under the auspices of MoMA and the American Federation of Arts |
1996 |
Inside the Visible. Institute of Contemporary Art, Boston; National Museum of Women, Washington; Whitechapel, Gallery, London; Art Gallery of Western Australia, Perth Art at the End of the Twentieth Century. Selections from the Whitney Museum of American Art. National Gallery and Alexander Soutzos Museum, Athens, and traveling in Europe
Incandescent. Curated by Laura Cottingham. Louisiana Museum, Humlebaek, Denmark
System Aesthetics: Works from the Permanent Collection. San Francisco Museum of Modern Art
Projections. Nine Artists: Yong Soon Min, Pat Ward Williams, et al. Pasadena Theaters
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1996-97 |
Views from Abroad II. Museum für Moderne Kunst, Frankfurt, and the Whitney Museum, New York. Selections from the Whitney collection by the Museum für Moderne Kunst |
1997 |
Public Service and Other Announcements. Philadelphia Museum of Art.
Artists' Videos from the Late 60's to the Early 70's. Kunstverein in Hamburg
Multiple Identity. Amerikanische Kunst 1975-1995 aus dem Whitney Museum of American Art. Kunstmuseum Bonn
Views from Abroad III. Whitney Museum of American Art, New York. Selections from the Whitney Permanent collection made by the Tate Gallery, London
Defining Eye: Women Photographers of the Twentieth Century. The Saint Louis Art Museum; Hammer Gallery, Los Angeles |
1997-98 |
Airport. Photographers' Gallery, London; Nederlands Foto Instituut, Rotterdam
Surveying the First Decade: Video Art and Alternative Media in the United States. San Francisco Museum of Modern Art; American Museum of the Moving Image, New York; Downtown Community Television, New York; and traveling |
1998 |
From the Body: Allegories of the Feminine. Museo de Bellas Artes de Caracas, Venezuela
Idea de lugar: Vídeos sobre Latinoamèrica. Museo Nacional Centro de Arte Reina Sofia, Madrid
In Site 98: Mysterious Voyages: Exploring the Subject of Photography. The Contemporary Museum, Baltimore.
Fast Forward: Trade Marks. Kunstverein Hamburg
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1999 |
The American Century, Part II. Whitney Museum of American Art, New York
Siting Conflict. Presentation House Gallery, Vancouver
Private Eye. Haus am Waldsee, Berlin.
m o b i l S U P E R S U P E R l a n d. Forum Stadtpark, Graz
Dream City, Kunstraum München |
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